And so December in England begins with a downpour, a torrent of rain that leaves a residue of mud on cracked paving stones that the council declines to fix, having already squandered the money on pointless pursuits and cheap fairy lights for the town centre.
There’s a saying in this godforsaken part of the country that it’s ‘too cold for snow’, certainly right now it’s too wet for it, but we can at least bring everything else required for the beginning of Christmas festivities, commencing with a trip to the unedited highlights of last year’s Christmas story languishes still on the jacobmilnestein omake page.
I made a recent decision to remove the years prior as they need a bit of editing and they somewhat ruin the surprise of the forthcoming lecteur de tarot novel (due next year, I have been told). If they had still been there, then I would have recommended them as a perfect entry into the lecteur de tarot story… but it would have been an entry into the deep end, so you might be better off waiting until next year when you are assured a physical copy of the central text to leaf through.
If you’re looking for something more current then I can confess to being hard at work on this year’s Christmas story and that the opening word of the tale is ‘The‘. That’s all I’m going to say on the matter until later on in the month.
In other news, a copy of Mister Watts’ Guardian Force Roboman v1: Let’s Go Robo! arrived here last month with something of a surprise inside. You shouldn’t need me to tell you about it as the contents of Mister Watts’ story speak well enough without need of me trying to sell it. Head over to amazon and take a look inside the book, certainly it’s a title deserving of a place on the shelves of any tokusatsu fan.
Last but not least, the elventh part of The Black Iron Prison is available within the pages of Artifice Comics’ Obento #2. As promised, the series is set in a world where it would be impossible for any of the established Artifice heroes to come into existence. It is a world of cruelty and vindictiveness, a world presided over by the ethics of the four libertines who once holed themselves up in the Château de Silling. The story will unfold over twelve installments presented out of sequence.
I won’t ask you to enjoy it but, if you do read it, I will ask you to understand that this is a cautionary tale with no morals. Their world, extreme and absurd as it may seem, is not far removed from our own.
